Online Classes Programs – Getting Your Degree In Technology Opens Doors To Career Success
Monday, August 29th, 2011When a studio decided to make an animated show or movie, two of the first people a director hires are a story editor and a storyboard artist. They are two people he truly needs to turn what was previously a pitch into a full blown production.
Now just because both titles have the word “story” in them does NOT mean they are the same jobs. In fact, they are quite different.
The story editor is basically a scriptwriter who has been in the business for a number of years. He’s not only a strong writer, but also has excellent communications skills and can direct other writers to do his bidding. That is not as simple as it sounds, as controlling writers is rather similar to herding cats. Another responsibility is to not only review the script for entertainment value, but that it stays within the general concept of the story and does not upset the censors.
As implied before, story editors started as scriptwriters. To enter the profession, the best way is to go to an online college or brick-and-mortar counterpart with a good reputation for writing. From there, it’s a matter of submitting script ideas and hoping someone likes what you do, and buys it. From there, sell enough, and one gets the call to edit.
Where editors were writers, storyboarders were animators. An essential course one should always take at a decent animation school is actually storyboarding. They are large pieces of paper or cardboard that is then divided into frames or panels like a comic book. The storyboard artist draws the key scenes into those various panels, with the idea that they will then be turned into what’s called an animatic.
Although still essentially sketches, a good storyboard artist knows how to put a lot of important detail into a few pencil strokes. A panel on a storyboard not only includes key characters and dialogue, but also important information as to whether the shot is a close up, camera angle, what angle the camera will pan (if any) and more. How important is the storyboard? If it isn’t approved, the project isn’t produced, period.
Working in animation, just like just about anything else associated in entertainment, is basically all about going from one project to the next. Both story editors and storyboard artists are usually casting their resumes out the moment they start their latest job. Still, if one builds up a good list of clients both storyboard artists and story editors make over $100,000 a year. It all depends on what city they work in, what kind of studio (film, TV, video, etc.) and the project itself.
Yet there is one other important perk to being an editor or storyboarder, and that is the pro is now one stop away from being either a director, or even better, a creator. They now know how to manage personnel and stories. If they make the right impression, the next they may be doing is hiring their own story editors and storyboard artists. Participating in online education programs gives students the tools through their own technology degree to engage in exciting careers.